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Adding some variety to Oscar Wilde

Roy Hudd tells us how his love of music hall led him to star in Oscar Wilde’s A Woman of No Importance.

Scottish Ensemble: Baroque: Take Two

Ahead of Baroque: Take Two, Scottish Ensemble explore how the Baroque era changed our experience of classical music, and how we might use it to shake up our concert experience today.

A conversation with Robert Alan Evans playwright and adaptor of Kes

Directed by Lu Kemp, Robert Alan Evan’s adaptation of Barry Hine’s iconic novel Kes run in Perth Theatre’s Joan Knight Studio from Thursday 31 October until Saturday 16 November. Here, he talks about the inspiration behind his writing.

Rona Munro on adapting Frankenstein for the stage

Writer Rona Munro gives her insight into adapting Frankenstein for the stage. 

Anna MacDonald responds to Marlene Millar's Witness

Anna Macdonald, Manchester-based artist and researcher responds to our new commission and museum acquisition Witness by the Canadian artist Marlene Millar.  

 

Lost at Sea - the start of rehearsals

Lost at Sea Associate Director Rosa Duncan talks through the rehearsals so far

Mozart and Brahms

Mozart Clarinet Quintet and Brahms Clarinet Quintet

Peter Donohoe Mozart Cycle

Peter Donohoe to play a Scottish exclusive complete cycle of Mozart Piano Sonatas on Sunday 30 September, 2 December and 3 March.