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Adding some variety to Oscar Wilde
Roy Hudd tells us how his love of music hall led him to star in Oscar Wilde’s A Woman of No Importance
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Scottish Ensemble: Baroque: Take Two
Where did the classical concert come from?
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A conversation with Robert Alan Evans playwright and adaptor of Kes
Robert Alan Evans talks about the inspiration behind his writing
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Rona Munro on adapting Frankenstein for the stage
Writer Rona Munro
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Anna MacDonald responds to Marlene Millar's Witness
To Witness, is Not One Directional
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Lost at Sea - the start of rehearsals
Rosa Duncan, Associate Director
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Fish-Work
Morna Young, writer of Lost at Sea
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Mozart and Brahms
Little light musings from James Waters, Creative Director for Classical Music
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Peter Donohoe Mozart Cycle
Little light musings from James Waters, Creative Director for Classical Music
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Carmen... the opera that has the lot!
Carmen … the opera that has the lot!
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