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Threshold artspace | Recent

Sunday Brunch preview

 10 May 09 11am-1pm

Sunday Brunch | Andy Warhol HomageExhibition view of Andy Warhol's Sunday Brunch (1976 - 1986) © The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / DACS, London 2009

TIME Sun 10 May 09 11am-1pm

LOCATION Threshold artspace, Perth Concert Hall and Perth Theatre

ADMISSION Free with Sunday brunch provided. Family friendly.

RSVP inedkova@horsecross.co.uk to ensure your free place

Artist Julita Wojcik, curator Iliyana Nedkova and guest writer Jonathon Blackwood lead an informal guided tour and present an exclusive screening of selected artist's video works over free Sunday brunch. They will be joined by some of the nine Perthshire-based artists exhibiting as part of Scene Without Scene.

Domestic Modernism Exhibition Guide

Scene Without Scene Exhibition Guide

Also, a triple launch of the latest Horsecross limited editions: Acres Wild triptych by Marek Styczen as part of the new Collect + Support initiative; the first Read More journal issue to appear in print, dedicated to Susan Collins' Glenlandia and the latest online Read More journal issue featuring a newly commissioned essay by Urszula Sniegowska on the work by Izabella Gustowska.

Read More

Collect + Support 

Iliyana Nedkova is Horsecross Creative Director (Contemporary Art) responsible for the curatorial policy and activities at Threshold artspace.

Jonathon Blackwood is an art historian based at Duncan of Jordanstone College of Art and Design, the University of Dundee. Also one of the Read More contributing writers. 

Julita Wojcik (born 1971 in Gdansk where she lives and works) is probably best known internationally as a ‘chronicler of the provincial home aesthetics’. Most recently her work has been shown in the major international exhibitions including 3rd Biennale Cuvee, 2009, Linz; 4th Ars Baltica Triennial of Photographic Art, Kiel, 2006 (and touring); Game at Zacheta National Gallery of Art, Warsaw and Mentality, the 2nd Lodz Biennale 2006. Her latest solo exhibitions include Ready, Set: Action! at Centre for Contemporary Art Ujazdowski Castle, Warsaw, and Making Things More Beautiful at uqbar projects space, Berlin. Her work has been acquired for the public collections of the Israel Museum, Jerusalem; Zacheta National Gallery, Warsaw and National Museum, Warsaw amongst many others. Currently the artist is also showing as part of Energy Class B at Ormeau Baths Gallery, Belfast.

Dometic Modernism exhibition is accompanied by a Issue 11 | May 2009 of Read More - Horsecross’ Journal for Critical Writing (ISSN 1755-0866) featuring a newly commissioned essay by Jonathon Blackwood who is exploring Wojcik’s new commission in relation to the artist’s oeuvre to date. To be released later in 2009.

Perthshire Visual Arts Forum (PVAF) was established in 2005 as an artist led group that stimulates and networks local career oriented artists with other national and international artists providing inspiration, information and opportunities.

Polarcap was founded by artists Graeme Todd and Liz Adamson in 2007 to bring high quality contemporary art to as wide an audience as possible with particular concerns for venues out with the city environs, representing emerging, local, national and international artists.  Polarcap enables new connections and contexts for artists working in different media and at different stages of their careers, whilst providing a platform for artists’ discussion and creative exchange.

Scene Without Scene is selected by Liz Adamson as the first in a two-part series of PVAF exhibitions at Threshold artspace. Produced by the artists and Horsecross for Threshold artspace in partnership with Perthshire Visual Arts Forum and Polarcap.   

Domestic Modernism exhibition is curated by Iliyana Nedkova and Urszula Sniegowska as part of Horsecross’ Scottish Tides-Polish Spring: a three month celebration of Scotland’s vibrant cultural connections with Poland. Produced by the artist and Horsecross for Threshold artspace in partnership with 55degrees, Glasgow and the Centre for Contemporary Art Ujazdowski Castle, Warsaw. Supported by Scottish Arts Council New Work Fund, the Scottish Executive’s Homecoming Scotland 2009 and Adam Mickiewicz Institute’s Polska! Year.

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